Giving credit where credit is due
We're living in the golden age of movie ... film credits.
Think about it. Most classic movies use a simple scrawl to tell us the names of the people responsible for the film in question. Today, even indie movies serve up imaginative credit sequences that must have taken significant planning to pull off.
The opening sequence of "Married Life," which opens in limited run this Friday, serves up a sumptuous display of imagery to set up the narrative. I just popped in the new-to-DVD actioner "Outlaw" (to be released March 11) and ate up the simple but arresting way the credits pulse on screen.
When did it all began? I remember watching the credits to 1995's "Seven" and thinking, wow, that's an impressive achievement - and the film hadn't even started yet. Perhaps with so much movie content available studios feel the need to make every second of a film stand out. Or, they realize their audiences won't sit still through a long slog of names. Either way, it's a winning formula for movie lovers.






Site Map
5 Comments:
Assistant Best Boy's gaffer's assistant? Ah, that's some fine work ... I'm here to contend that NOT EVERONE NEEDS TO BE IN THE CLOSING CREDITS .. for heaven's sake, the intern does not get a credit line ...
I thought the opening credits for "Juno" were terrific. And of course those Saul Bass classics like "Anatomy of a Murder" and "Psycho" are as memorable as the movies they introduce.
"Juno's" opening credits set the stage for the dramedy to follow -- funny, lively, off-beat and original. Just like the movie.
My favorite closing credits are those of Secondhand Lions. The animated comic strip is just great! The thing is, you don't read the names because what's going on on the screen is so fascinating. Sort of defeats the purpose, huh?
Chase may have an issue with the assistant Best Boy's gaffer getting all the glory, but the fancier these credit sequences get, the less attention the people in question will receive.
Post a Comment
Links to this post:
Create a Link
<< Home